Call for Submissions – National Portrait Gallery Store
Closing date: 22 October 2010
Canberra
Applications are now being accepted/sought from prospective stall-holders interested in taking part in the first bi-annual UnderCurrent Design Market. Showcasing an array of original, fresh and contemporary design across all mediums and work practices from ceramics to jewelry, textiles to design Co-op’s.
CALL FOR RESIDENTS: ANDERSON RANCH ARTS CENTER
FEBRUARY 1ST EACH YEAR
Eligibility: Emerging Artist/Established Artist over 18
Media: Ceramics, Digital Media, Photography, Furniture Design, Wood Sculpture, Painting & Drawing, Printmaking, Sculpture
The Anderson Ranch Artists’ Residency Program is designed to foster creative, intellectual and personal growth for emerging and established visual artists. There are no specific educational qualifications for entry into the program. Awards will be made to those, who in the exclusive opinion of the jury, have submitted the best work by the application deadline. Finalists are chosen on the basis of artistic merit by an independent jury of established working artists and will live and work at Anderson Ranch for approximately a ten week residency period. While in residence, all artists will share in an established community of interaction, conceptual development and intense production of work. Given the staffing and facilities available at the Ranch, its artist residency program will become one of the most robust programs of its type in the United States. Applications for both residency terms must be submitted via our online application by February 1 each year. To apply for the Fall 2010 (Approximate dates: October 12- December 20) and Spring 2011 (Approximate dates: February 1 – April 13) residency terms, applications must be submitted online by February 1, 2011. APPLY ONLINE http://andersonranch.slideroom.com
Fusions: Teapot competition
For more info visit the Fusions website here.
A site 2 see friday – handful of salt blog
Inspiration always comes in different forms, as does motivation. To me there’s nothing more motivating than seeing the behind the scenes of how artists set up shop and hearing in their words who they are and what inspires them, their work, and how it all comes together. That’s why today’s site to see is handful of salt blog because I LOVE their Heroes and Heroines section for the above reasons. Of course there are many other reasons to read their blog…but I’ll let you find that out for yourself.
Enjoy!
Material Culture, Craft & Community: Call For Papers Reminder
This is a reminder that submissions to the Material Culture, Craft & Community: Negotiating Objects Across Time and Space Conference are due OCTOBER 10, 2010.
20-21 May 2011
University of Alberta
Material Culture Institute
This interdisciplinary conference will explore the varied expressions of craft – material, cultural, social – in past and present societies. Craft practice has a rich history and remains vibrant today, sustaining communities while negotiating cultures. Craft-made goods were, and are, created for domestic or institutional use, for local or international markets. They express gender roles and cultural aspirations, sustain economies, and express aesthetic values and skills of making. Craft practice has long defined communities and groups, and continues to do so in the midst of global trade networks. Moreover, the flow of ideas, goods, and peoples animate the making, circulation, and meaning of craft goods. These and other issues will be addressed over the course of the conference.
Keynote Speaker:
Laurel Thatcher Ulrich, Harvard University
Confirmed Speakers:
Eiluned Edwards, London College of Fashion, UK
Edward S Cooke, Yale University
Janice Helland, Queen’s University, Kingston
Laura Peers, Pitt Rivers Museum, Oxford
Ruth Phillips, Carleton University, Ottawa
Call for Papers:
Paper proposals and full panels are invited on topics ranging from the history to present practice of craft, issues of production, use, and trade of craft, and the construction and interpretation of the meanings of craft, in the context of personal interactions, local communities, national groups, modes of international circulation, and forms of cultural context.
Graduate students are encouraged to apply with either single papers or panels. Three graduate proposals will be selected for a special graduate plenary session, in addition to those papers selected for concurrent sessions.
Proposals are invited from all disciplines. The proposal package should include a paper summary of 150-200 words and a two-page CV. Proposals must be received by 10 October 2010.* The program will be announced 1 November 2010. Registration will open on 15 December 2010.
Conference Organizer: Beverly Lemire, Department of History & Classics and Department of Human Ecology, University of Alberta
Proposals should be sent to: [email protected]
Arrowmont to Host Figurative Clay Sculpture Symposium this Fall
Janis Mars Wunderlich
| Arrowmont School of Arts and Crafts in Gatlinburg will host the first Figurative Association: The Human Form in Clay symposium this October. |
The artist/presenters include Tom Bartel and Janis Mars Wunderlich from Ohio, Robert Brady, and Arthur Gonzalez from California, Debra Fritts from Georgia, Tip Toland and Beth Cavener Stichter from Washington, Lisa Clague from North Carolina and Anne Drew Potter from Indiana.
A series of lectures, panel topic discussions, demonstrations and gallery exhibitions celebrating the human form will make up the three-day symposium. Additionally, each artist/presenter has invited an emerging figurative sculptor of their choice to be represented in the Invited Artists Exhibition, which will be one of the highlights of the event.
The Presenters’ Exhibition will consist of major works by the nine symposium presenters. In all, both exhibitions will showcase a total of 37 different creations by the 19 artist/presenters and the invited emerging artists. The exhibitions will be located in the Sandra J. Blain Gallery at Arrowmont and will be open for the public to view.
“One vital, educational component of this symposium is the identification of 10 emerging artists in the ceramic sculpture field and the invitation to exhibit their work alongside the highly respected national Presenters’ Exhibition,” said Arrowmont Program Director Bill Griffith, adding, “This again speaks to Arrowmont’s commitment as a leader in education and support in promoting the careers of the next generation of artists.”
Limited to 200 attendees, symposia and conferences at Arrowmont offer a more relaxed, intimate and focused setting for engaging dialogue, critical discourse and attendee interaction to occur. The unique mountain setting with galleries, studios, auditorium, housing and dining facilities in close proximity encourages ongoing conversations among artists, students, educators and collectors. Registration is on-going. Please call our registrar Cynthia Bellacome at 865-436-5860 x33.
For more Symposium details, fees and registration information visit www.arrowmontfigure.org.
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